![]() Middle Man (Columbia, 1980), con Carlos Santana alla chitarra, ristabilì le sue credenziali commerciali con Breakdown Dead Ahead, Jojo, Look What You've Done To Me, Miss Sun. Down Two Then Left (Columbia, 1977) risultò la brutta copia di quel disco campione di vendite. ( Low Down, What Can I Say, Lido Shuffle). Slow Dancer (Columbia, 1974) annunciò la sua matura arte fatta di malinconiche, orchestrali, ballate funk-soul ( I Got Your Number), mentre la lucida produzione di Silk Degrees (Columbia, 1976) coniò una nuova forma di elegante pop-soul muzak. My Time (Columbia, 1972), che contiene Dinah Flo e Full-Lock Power Slide, segnò la fine della sua carriera blues-rock. ![]() Nel giro di pochi mesi, Scaggs cambiò volto, come documentato dagli album di transizione Moments (Columbia, 1971) e And His Band (Columbia, 1972), tramutandosi in un romantico musicante di ballate nella tradizione sweet-soul. Quando si separò dall’uomo che aveva accompagnato dal Texas a San Francisco, Scaggs avviò una carriera più atmosferica e meno psichedelica con Boz Scaggs (Atlantic, 1969), che contiene il suo pezzo di maggior successo, il lungo Loan Me A Dime (con Duane Allman alla chitarra). (Translation by/ Tradotto da Federico Morganti)īoz Scaggs, che aveva già registrato il solo album Boz (Polydor, 1965), fu una delle risorse chiave della prima Steve Miller Band. Scaggs seemed to retire from the record industry, but instead staged an Having opened the night-club "Slim's" in San Francisco, Re-established his commercial credentials withĪnd Other Roads (Columbia, 1988) added at least Middle Man (Columbia, 1980), featuring Carlos Santana on guitar, ( Low Down, What Can I Say, Lido Shuffle).ĭown Two Then Left (Columbia, 1977) came out as an inferior copy of that Melancholy, orchestral, funk-soul ballads ( I Got Your Number)Īnd the slick production of Silk Degrees (Columbia, 1976) coined ![]() Slow Dancer (Columbia, 1974) announced his mature art of Moments (Columbia, 1971) and And His Band (Columbia, 1972).īe became a romantic balladeer in the sweet-soul tradition.ĭinah Flo and Full-Lock Power Slide, marked the Within a few months, Scaggs changed persona, as documented by the ![]() Scaggs launched a career in a more atmospheric and less psychedelic vein withīoz Scaggs (Atlantic, 1969), that contains his most accomplished pieceĮver, the lengthy Loan Me A Dime (Duane Allman on guitar). When he parted ways with the man he had accompanied from Texas to San Francisco, ( Copyright © 1999 Piero Scaruffi | Legal restrictions - Termini d'uso )īoz Scaggs, who had already recorded the solo albumīoz (Polydor, 1965), was one of the key assetts of the early Boz Scaggs: biography, discography, reviews, best albums, ratings ![]()
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